The question at which we now arrive is the question with which Gibson himself seems to have been faced: If traditional science fiction tells stories through an imagined future, how does one tell those stories in a vital and sensible way when the boundaries between past, present, and future are constantly eroding?
The answer that Gibson seems to have hit upon–and the answer to which other authors seem to be looking as well–is to do away with the tradition, and with it, the constraints of temporal setting. Gibson’s current work maintains the sensibilities and the flavor of science fiction, but his stories are set in the present, and are about the present–in a present so nebulous that it could pass for recent past or near future, or some parallel universe. His fiction reflects atemporality. It embraces the blurring of the lines.