About

Heroic Modernism, Atemporality, Design Fiction, Network Culture, Retrofuturism & spaceships.

For more info : http://nevolution.typepad.com/theories/2011/08/heterochronia.html

For my palette, I’ve copied pre-existing dictatorial art. Paintings from North Korea, statues of assorted dictators (Kim Il Sung, Laurent Kabilla, and Saddam Hussein). I had these works re-created in China, and each instance, I’ve replaced the great leaders with myself.

(Source: kimjongphil.com)

The first Google image for every word in the dictionary

If a picture says more than a thousand words – and current internet dynamics tend to agree – what would a visual guide to the English vocabulary, contemporary and ‘webresentative’, look like? Ben West and Felix Heyes, two artists and designers from London (UK), found out when they replaced the 21,000 words found in your everyday dictionary with whatever shows up first for each word in Google’s image search. Behold Google – a 1240 page behemoth of JPGs, GIFs and PNGs in alphabetical order.

I see retrofuturism as a conservative way of coming to terms with the present. It’s odd because it’s such a temporal loop: instead of wanting to replace the present with the past, as would be a pure conservative’s dream, we want to replace it with the way we imagined the future (our present) to be in the past.

One of the trickier aspects of this formulation of foresight is the need to keep an eye on how the dynamics of change themselves are evolving. It’s easy to get locked into a particular idiom of futurism, calling upon standard examples and well-known drivers as we work through what a turbulent decade or three might hold. It’s comforting to be able to go back to the old standbys, confident that the audience can sing along.

thingumbobesq:

NASA vs SpaceX mission control rooms
If you haven’t heard, the Dragon is doing something cool today.

thingumbobesq:

NASA vs SpaceX mission control rooms


If you haven’t heard, the Dragon is doing something cool today.


(via versusaurorae)
n-a-s-a:

SpaceX’s Falcon 9 Launches to the Space Station 
Image Credit: NASA 

n-a-s-a:

SpaceX’s Falcon 9 Launches to the Space Station

Image Credit: NASA 


(via n-a-s-a)

In Hapax Phaenomena and other projects such as Google Earth Sites, you refer to your art objects as artifacts or curios. Do you see yourself as an observer documenting an endangered technological curiosity? Yes. These things will all disappear, and probably soon, in the name of progress. These artifacts are atypical ephemera, and often accidental products created by various internet algorithms. There is very little direct human hand in these artifacts. Though the purpose in collecting them is not simply for their preservation. It’s more about framing them, allowing them to be seen, and showing a kind of bizarre byproduct of these super-functioning and useful systems, such as Google.

I’ve been a big believer in historical pendulum swings—American sociopolitical cycles that tend to last, according to historians, about 30 years. So maybe we are coming to the end of this cultural era of the Same Old Same Old. As the baby-boomers who brought about this ice age finally shuffle off, maybe America and the rich world are on the verge of a cascade of the wildly new and insanely great. Or maybe, I worry some days, this is the way that Western civilization declines, not with a bang but with a long, nostalgic whimper.

Ironically, new technology has reinforced the nostalgic cultural gaze: now that we have instant universal access to every old image and recorded sound, the future has arrived and it’s all about dreaming of the past. Our culture’s primary M.O. now consists of promiscuously and sometimes compulsively reviving and rejiggering old forms. It’s the rare “new” cultural artifact that doesn’t seem a lot like a cover version of something we’ve seen or heard before. Which means the very idea of datedness has lost the power it possessed during most of our lifetimes.